It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文章构成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度西史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试从形式、像学和情境三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共五章构成，形式分析、像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

文共由五章构，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共五章构成，形式分析、像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从析、图像学和情境析三个维度对西艺术史学史进行建构。