The sculptures in this section are absolutely spellbinding.

这部分的雕塑绝对引人入胜。

No wonder. It was the most spellbinding thing he had ever made.

毫无疑问，这应该是他创作的最蛊惑人心的作品了。

But even when exploring the heaviest topics, Faulkner spellbinds readers with verbal acrobatics.

然而，即使在探讨最沉重的话题时，福克纳也以巧妙的语言技巧迷住了读者。

Even if it's a little mind- bending and spine-bending, it's spellbinding.

即使它有点令人费解和难以理解，它也是引人入胜的。

My Neighbour Totoro might be director Hayao Miyazaki's most spellbinding and iconic adventure.

《龙猫》应该是宫崎骏导最彩的、最具标志性的奇遇电影。

The Prestige is very much about the audience as the subject of the magicians' spellbinding illusions.

《致命魔术》在很大程度上是关于观众作为魔术师引人入胜的幻觉的主题。

When the temperatures drop, Alberta's natural wonders relinquish themselves to the cold weather and become even more spellbinding.

当温度下降时，阿尔伯塔省寒冷的天气让位于自然奇观，变得更加迷人。

Turner was spellbound and conjured from a wisp here, a daub there, the gauzy radiance of the place.

特纳意乱情迷不能自主地，此地薄如轻烟的光辉。

First and foremost, it must be perceptually spellbinding.

首先，它必须具有感性的吸引力。

Every one of these new TV offerings is spellbinding.

这些新电视节目中的每一部都令人着迷。

Two miles of spellbinding clips… cliffs, gorges, and waterfalls.

两英里的引人入胜的片段… … 悬崖、峡谷和瀑布。

He was spellbound by the handsome stranger in the water.

他被水中那位英俊的陌生人迷住了。

Their spellbinding movements paint a fresco on the sky above ancient Rome.

它们那令人着迷的飞行轨迹在古罗马的天空上描绘出一幅壁画。

Though lacking the spellbinding draw of a novelistic plot, according to the article, the travelogue displayed its descriptive charms in abundance.

根据文章，虽然缺乏小说情节的引人入胜的吸引力，但这本游记充分展示了其描述性的魅力。

After a four-year journey, the Polos were heartily welcomed at the court of Kublai Khan—especially the young Marco, who kept the khan spellbound with his stories.

经过四年的旅程，波罗一家在忽必烈汗的宫廷受到了热烈的欢迎，尤其是年轻的马可，他的故事让可汗着迷。

Socrates goes further and defines rhetoric as a techne psychagogia, an art of leading or directing the soul, a kind of bewitchment that holds the listener's soul spellbound (261a).

苏格拉底更进一步， 将修辞学定义为一种 techne psychagogia，一种引导或指导灵魂的艺术，一种使听者的灵魂着迷的魔法 (261a)。

When they were first shown in Manhattan in the 1950s, these big, spellbinding paintings were immediately recognised as a body of work that made the case for American painting in an utterly new way.

当这些作品在二十世纪五十年代于曼哈顿首次展出时，这些极具迷惑性的大幅作品立刻被当作了对美国绘画艺术全新诠释的案例中的一批代表作。