We live in an increasingly secular society.

我们生活在一个日益非教社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是反教会诗结合，表明其通常是在宫廷或教场所演奏。

We live in an increasingly secular society.

我们生活在一个日益非宗教的社。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

部分通常是圣诗或世俗诗甚至是反教诗的结合，表明其通常是在宫廷或宗教场所演奏的。

We live in an increasingly secular society.

我们生活在一个日益非宗社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是反会诗结合，表明其通常是在宫廷或宗场所演奏。

We live in an increasingly secular society.

们生活在一个日益非宗教的社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是反教会诗的结合，表明其通常是在宫廷或宗教场所演奏的。

We live in an increasingly secular society.

我们生活在一个日益非宗社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世诗甚至是反会诗结合，表明其通常是在宫廷或宗场所演奏。

We live in an increasingly secular society.

我们生活在一个日益非宗教社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是教会诗结合，表明其通常是在宫廷或宗教场所演奏。

We live in an increasingly secular society.

我们生活在一个日益非宗教的社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是反教会诗的结合，表明其通常是在宫廷或宗教场所演奏的。

We live in an increasingly secular society.

我们生活在一个日益非宗教的社会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或世俗诗甚至是反教会诗的结合，表明其通常是在宫廷或宗教场所演奏的。

We live in an increasingly secular society.

我们生活在一个日益非宗会。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣诗或诗甚至是反会诗结合，表明其通常是在宫廷或宗场所演奏。